Get Ready For Winter Session!

Winter Session Starts Jan. 4!

Winter Session Starts Jan. 4!

Happy Holidays lovelies! Just a reminder that Winter session starts on January 4. We’ll have new music, new choreography and a lot of fun.

Please note at the top of this page that there is a new tag – Workshops. My good friend Ezma Siddiqah is hosting the world renown Jasmin Jahal on March 1-2. I’m so excited she’s coming! This is a rare opportunity to have such a fantastic dancer and instructor right here in Fargo. If you have not been dancing long please note that the first workshop is appropriate for ALL LEVELS – that means you! So mark your calendars and sign up for early bird pricing.

Here’s hoping you get all the sparkles you desire!

 

Steampunk Bellydance Music, A Personal Opinion

steamgraphic

I enjoy Steampunk. I like the style, the manners, the mythos. The problem is that since it is completely fictional it is pretty hard to nail down exactly what it IS. What is Steampunk? What about Steampunk music? How do you determine what a genre sounds like? That has been a point of some discussion amongst fans of the genre, and as that genre has taken off in popularity of course it was only a matter of time before it crossed over into bellydance.

I’ve been giving this quite a lot of thought lately as some friends and I have been brainstorming for an upcoming Con where we plan to perform at a Steampunk themed fan suite. Since the Steampunk fashion style tends to base itself in Victorian era fashions I feel bellydance fits right in, as Orientalism was pretty popular in that era of real world history. I have found that a lot of dancers who adopt Steampunk as a style tend to be ATS®, Tribal fusion or 8 Elements™ dancers more often than traditional Egyptian, Turkish, Lebanese, etc. As an Egyptian style dancer I have found it to be a challenge to find anyone on YouTube for inspiration.

When considering what I look for in Steampunk music I have to admit my burlesque sensibilities definitely have an influence. I imagine something fun and upbeat. I feel that there should be fewer electronic instruments and more people powered or potentially steam powered sounds. Imagining what might be popular in pubs or at fairs during Victorian times I would lean more toward accordions, violins, pianos, banjos and brass instruments. This era encompasses quite a stretch of time, and includes John Phillip Sousa and Gilbert and Sullivan, as well as minstrel troupes and familiar southern ballads. That’s a lot of material to work with.

Most people who are in the know would immediately think of Abney Park. They are great, but if you want a little variety the following are some favorite artist of mine who may just fit the bill:

  • Gogol Bordello – Start Wearing Purple, Occurrence At The Border, Baro Foro, The Other Side of Rainbow, etc.
  • Viza (or Visa) – Carnivalia, Meet Me at the Troubadour, Breakout the Violins, etc.
  • Shantel – seriously, just about anything by Shantel, including the Bucovina Club compilation albums he produced.
  • Beats Antique – I know, you all were going to say that already! Obvs!

I’ve always been partial to Die Eier Von Satan by Tool, but I get a Diesel Punk vibe off of that song. Maybe I am splitting hairs there.

Just this year a compilation album called “Steampunk Experiment: Mechanical Cabaret” came out; I believe it was produced by Bellydance Superstars. It is a pretty good album in its own right, but most of the music would really qualify as Electronica or Dubstep. It just did not seem to meet the promise of its title.

There are other artists, like Rasputina for example, who may fit in the Steampunk music genre, but they are not necessarily conducive to belly dancing.

If you have any favorite artists you think would be great for Steampunk bellydance please comment!

Nice To Meet You, Hakan!

A gathering of kindred spirits

A gathering of kindred spirits

I know it’s a little late, but this is just a shout-out to our new friend, Hakan (center), who is spending the month traveling around the USA meeting people, dancing, learning, discovering the meaning of life probably. Yeah, I’m jealous. Thanks for stopping in our humble berg of Fargo, ND. We hope to see you again sometime!

Fall 2013 Class Session Begins Sept. 7!

Fall 2013 Starts Sept. 7

Fall 2013 Starts Sept. 7

Is the summer almost over already?! I can hardly believe it. So tie on your hip scarf and let’s get our shimmy on! First class starts Sept. 7, 10am-11am at the Spirit Room in the Lotus Studio.  There will be a couple of weeks when I have obligations so I will give students due notice if a particular week is postponed.

One weekend for sure we won’t have class is Oct. 19, when I will be attending the Lovely Dozen’s workshop in Grand Forks, featuring Mahin, of Bellydance Quickies fame. I’m really excited about this opportunity, and I recommend all area dancers consider making the trip up North.

Check out my Class FAQ if you have questions, or email me, or message me on Facebook. Hope to see you all soon!

Summer Is Heating Up!

The Boys of Bad Weather Burlesque with Special Guest Paco Fish (poster courtesy Bender !Flames!)

The Boys of Bad Weather Burlesque with Special Guest Paco Fish

Hey lads and ladies, summer is a busy time of year and there are no signs of it slowing down! Mark your calendars for these awesome shows:

Friday, July 26Bad Weather BOYlesque All-Male Review with Special Guest Paco Fish on his Vanguard tour! Bender !Flames! made the poster above – isn’t it gorgeous? I just want to look at it all day.

Thursday, August 1 Bad Weather Burlesque, Cruisin’ Broadway – at the Aquarium in Fargo, 10pm  Cancelled

Friday, August 9 – FM Entertainers Pride Showcase – proceeds to benefit FM Pride – at Big D’s in Fargo, 8pm

Sunday, August 11 – FM Pride Parade – downtown Fargo, 2pm

Saturday, August 24 Vixen Variety Shows performing with Tripwire – at Big D’s in Fargo, 9pm Cancelled

Wednesday, August 29 – Bad Weather Burlesque – debut performance at the Windbreak in Fargo, 8pm

Thursday, September 5 – Bad Weather Burlesque, Cruisin’ Broadway – at the Aquarium in Fargo, 10pm

Saturday, September 21 – Hip Raks (Shimmy Sisters & Oasis Dancers) – Reineke Fine Arts, NDSU, Fargo, 7pm

That should keep you entertained for the summer! Keep an eye on my calendar page for more fun throughout the year, and “LIKE” Bad Weather Burlesque, Vixen Variety Shows and Bellydance With Erica on Facebook for up-to-date info. Hope you can make it to some of these events!

How To Make A Belly Dance Belt (the easy way)

Base with coin belt, stampings and Turkish buttons

Base with coin belt, stampings and Turkish buttons

I love costumes. If you are reading this you probably do too. But I am also very busy and don’t want to have to choose between looking glam and paying the mortgage. If you feel the same way, this post is for you. If you don’t get too crazy with the embellishments this project can be completed within a day, and cost as little as $15. I have adapted this technique from several books and blogs that I have read, and I have come up with my own style.

What you will need:

  • A pattern
  • about a half-yard of buckram (depending on size)
  • a half-yard of fabric (depending on your size and the width of the fabric)
  • half-yard of felt, fleece, sweatshirt, or other non-woven material, should be thick and stable
  • half-yard of lining material, may be the same as above
  • thread to match the fabric or upholstery thread (depending on technique)
  • 4 pant hook closures (heavy duty)
  • embellishments of your choice

TIP: This is a great project for remnants. If you don’t have a long enough single piece of buckram, you can zig-zag stitch a couple pieces together. It is OK to overlap the buckram. You can abut pieces of felt together to make a full pattern piece, but do not overlap or it will add uneven bulk. Nobody is going to see the base so don’t worry if it looks like Frankenstein’s monster.

Step 1: The Pattern

Confession time: I’m pretty lazy. But I am also busy. This has led me to the crossroads of efficiency. If you have worn any sort of fitted belt before you know that they are not straight, but curved to fit your hips. I’m not great at making more advanced patterns, I can’t ever seem to get the measurements right with a tailor’s curve. So I just bought a pattern. I DO NOT FOLLOW THE PATTERN INSTRUCTIONS. I just bought it for the curve. If I wait for a sale at JoAnn Fabrics I can get patterns for $1-$2, which is totally worth the money vs wasting my time trying to make my own pattern. Today I will be using Simplicity (TM) Pattern #2158. There are other patterns, you don’t have to use this specific one.

Simplicity (TM) Pattern 2158

Simplicity (TM) Pattern 2158

A note on pre-made patterns here: The sizing is not even remotely what your actual dress size is. When I buy a dress or pants at a department store I am typically about a size 8. In a Simplicity (TM) pattern I am size 16. Measure yourself before you buy the pattern. One other drawback to purchasing a pattern is that they often do not make patterns for larger ladies. The largest size they make for #2158 is their size 22, which is a 46 inch hip. You may be able to alter it up, but I leave that to you more knowledgeable sewers. Do bear in mind this is not fitted around the curve of the butt (no darts), just around the hip.

Back to the part where I don’t follow the pattern directions. If you made this to specs it would be rather thin and the instructions would have you lacing it up in the back with ribbon. This is not something I would ever do. That’s just crazy. We’ll fix that in step 2.

Step 2: Making The Base

Cut 2 pieces out of buckram

Cut 2 pieces out of buckram

First, cut out two layers of buckram for the base using the pattern as it is, and stitch them together as 2 layers. This is your sturdy base for adding embellishments that will not sag or lose shape. Pattern #2158, as I mentioned, plans for you to fasten the belt in the back. There actually may be instances when you would do so, like if you are attaching a super cool pre-made coin belt to the base for stability, and that coin belt just happens to hook in the back. But normally if I have to quick change in a dressing room between acts I like to be able to easily reach the hooks so I make it hook at the side.

I used a loose zig-zag stitch to join the two pieces. Didn't like the pointy tip so I just cut it off.

I used a loose zig-zag stitch to join the two pieces. Didn’t like the pointy tip so I just cut it off.

So, once you have cut out the 2 buckram pieces and sewn them together (DO NOT trim down the seam allowance), figure out where you want the fasteners to hook up. I usually prefer on my left hip. I place the fasteners in such a way that the front will overlap the back so the audience won’t be as likely to see the hooks. It doesn’t really matter, as long as you can comfortably hook it. You can even make a front and back piece and have fasteners on both sides. For my example I will only hook on the one side. If you want the belt to hook in the back just leave it as-is. If you want the belt to hook on the side, wrap the buckram around your hips where you want it to rest and mark (or have a friend mark) where the ends overlap across your backside. Then make a mark where you want the fasteners to go. Sew the back ends together in place so you have a full circle. Then just cut where you want the fasteners to go. I recommend making it a little loose at this point because you will need a little overlap for the fasteners. You will get extra overlap with the addition of lining and fabric, but adding all of this together gives you some wiggle room if you need to adjust for a change in your body size.

Stitch the back ends together, then cut the side where you want it to fasten

Stitch the back ends together, then cut the side where you want it to fasten

Note: this particular pattern has a point in front. If you don’t want a point you can just cut it off at this stage. But the back and front are still different, this is not reversible. If you decide you want to turn it around so the fasteners are on the other side you can’t after you have the fabric on.

Thinking ahead: You can also now cut out the lining using the buckram base as a template.

Step 3: Bulk It Up

Used a wide zig-zag stitch to attach the felt layer

Used a wide zig-zag stitch to attach the felt layer

Now you will want to use your buckram belt base as a template for your next layer of felt, fleece, or whatever material you have chosen. You will want to use something with some bulk to it for stability. The technique you choose for attaching it will actually be decided by what material you use to cover it. If you are using a thinner material I would recommend you cut out a piece of felt that exactly matches the buckram base, and stitch it on just like you stitched the buckram together. If you are using a very thick material, like Velboa or other fake fur, stitching with a sewing machine can be extremely difficult. In that case I would cut the felt an extra inch all the way around, fold it over and then top stitch it on to the buckram. That way you can hand stitch the Velboa (or whatever) directly to the felt. I would not use the overlapping felt method to work with thinner materials because it can lead to wrinkling and bunching, and just unnecessary extra work.

Step 4: Cover The Base

Top-stitched the cover fabric. Note there is some wrinkling here. This was a rubbery fabric that was difficult to work with so note that in your fabric choice.

Top-stitched the cover fabric. Note there is some wrinkling here. This was a rubbery fabric that was difficult to work with so consider that in your fabric choice.

Now you can use your buckram and felt base as a template to cut out your cover fabric. Cut the fabric an inch larger than your base. Fold it over the edges and pin it. For corners I typically fold diagonally along the point, and then fold in the sides. For thinner fabrics, top stitch it in place. For thicker fabrics, whip stitch fabric in place to the felt on the “wrong” side of the belt.

In this version, the fake fur was too thick to fold and I had to cut notches at the corners. This part will not be seen and does not have to look pretty.

In this version, the fake fur was too thick to fold and I had to cut notches at the corners. This part will not be seen and does not have to look pretty.

Step 5: Embellish

This is a good solution for stabilizing unruly coin belts.

This is a good solution for stabilizing unruly coin belts.

I embellish BEFORE I add the lining so that all of the little knots don’t rub against me or my skirt, which can be irritating to me, but also cause the knots to come loose. Here you can just go wild and do whatever you want. Or, if you have really nice fabric, or just have a minimalist style, you can do nothing at all. Totally up to you. I strongly recommend upholstery or beading thread for this stage if possible (if the thread doesn’t really show) because normal sewing thread can break easily here.

Step 6: Line it

I use whatever I have handy because nobody is going to see the lining anyway. Sometimes felt, sometimes I use whatever remnants I have around that fit the bill. I had a thin black velvet with a foil skull print I got as a remnant left over from Halloween that I was using up for a while. Bear in mind that whatever you use here can add yet more bulk to the belt, which could be good or bad, depending on how thick it is already. Totally up to you. You can do this by cutting out a piece from your original pattern, or using your current belt as a template. You will want the lining to be smaller than the belt so that it does not stick out along the edges. Just whip stitch in place directly to the fabric overlap along the edges.

Lining and fasteners installed.

Lining and fasteners installed.

Step 7: Install The Fasteners

I always do this step last, because like many people I can gain or lose weight over the course of several years and I may need to adjust the placement of the hooks. It is a lot easier to do this if you don’t have to pull off the lining. I recommend the pant hooks because they are pretty heavy duty and you don’t want your belt falling off mid-shimmy!

TIP: When hand-sewing your embellishments and fasteners, finish the knot off with some bead glue. You will be extra-sure that it will not come undone. I also recommend upholstery or beading thread for this step.

My Own Experiences

I have tried several different versions of this and I feel I have streamlined my costume making technique pretty well. From my own experience I have a few bits of advice:

  • Sew on materials rather than glue so you can re-use them if your costume gets worn out, dirty, etc. Saves you money in the long run.
  • Consider using materials you already have, but don’t use, as embellishments: old (broken) necklaces, earrings, scraps of material or trim, buttons, etc. Also saves money, and really creates a unique look.
  • Keep an eye out for nice but discounted remnant fabrics to use for this project, and for the bra project. A single remnant can make a whole bedlah!
From top: base with coin belt attached, fake fur covered base for reindeer costume, damask-covered belt with silver glass bead fringe, animal pattern Velboa covered base with gold glass bead fringe. All made using the same technique.

From top: base with coin belt attached, fake fur covered base for reindeer costume, damask-covered belt with silver glass bead fringe, animal pattern Velboa covered base with gold glass bead fringe. All made using the same technique.

Now, just match it up with your bra and you’ve made your own custom bedlah! Congrats!

Disclaimer: I have no affiliation with JoAnn Fabrics or Simplicity, they do not pay me any money to endorse their products. I pay THEM loads of money all the time though!

No Class on April 20

Sad news all – Due to the Blue Elephant event at the Spirit Room we won’t be able to have class tomorrow morning. We will have one more shimmy class on April 27!

Upcoming Events in the Fargo-Moorhead Area – get off your butt!

Le Belle de Trois

Le Belle de Trois

Hey everyone! Spring (LOL! Whatevs) is upon us and there is so much happening. I thought I’d keep you all in the loop. Make sure to check out my calendar page too.

Friday, April 19:

Vixen Variety Shows at Big D’s with 24/7 – If VV is there it’s totally worth it, right?

Saturday, April 20:

Edge Life Holistic Expo, Fargo Civic Center, both Saturday and Sunday

Blue Elephant Bazaar at the Spirit Room. Sale starts at 2pm, followed by a performance, meal, and book launch. This is an all-day celebration.

Superhappyfuntime returns to FM. Legacy Ballroom, 9pm

Saturday, April 27:

Le Belle de Trois at The Winery: 3 course meal and 3 course entertainment featuring Enchanting Erica, Ladyking Cole, The Alabaster Disaster, and Jarica Jordan.

Friday, May 3-Sunday, May 5:

CoreCon – fan convention extraordinaire at the Days Inn Moorhead. Visit the KEEP for Kaiju goodness and an in-depth look at nudist films, and see the Mistryl Shimmy Guard debut at the Death Star Visitors’ Lounge. There will be other stuff too. 😉

Saturday, May 4:

Vixen Variety Shows at the Legacy Ballroom, 10pm

Tuesday, May 7:

Chippendales at the Garage Bar, Moorhead, 8pm

Saturday, May 11:

World Bellydance Day Stage Show, Firehall Theater 415 2nd Ave N, Grand Forks, ND, 8pm

Friday, May 31:

Naughty Novice Night with Bad Weather Burlesque – check out the new talent and vote for the best Burlesque! More info TBA.

Obviously as the F-M area is pretty happenin’ there is much, much more going on, but this list is the best of the best. I’m not at all biased, really. 😉

Cassandra’s Weeklong Intensive – March 2013

Class of 2013

Class of 2013

It has been a few weeks since I got back from Cassandra’s week long intensive, so I’ve had a little time to reflect and review. Here’s my experience in case you are interested in going next year.

First of all, the whole idea of this was a bit daunting for me. I’ve been without a teacher for a few years now and I really needed a challenge. When I was taking classes from Laura at the Y she encouraged us to go to workshops and check out other teachers, and she even handed out the Jawaahir newsletter in class a couple times. I was really, really excited to be a student again. However, being completely immersed in belly dance for a whole week, 10am-4:30pm is a little overwhelming. And being taught by THE Cassandra Shore made me a little nervous. I think it was because I felt (before I went) like I needed to be at some elite or advanced level to even be there. I became more nervous as the weeks and days got closer and closer. The good news is that Cassandra is not a queen bee at all, but a completely real, down to earth person; very approachable and likeable, great sense of humor, lots of fun. Not that I expected her to be aloof, but she’s kind of a big deal, you know? And she was not alone, in that she had a bevy of teaching assistants who are all equally lovely.

We only learned one full choreography over the course of the week, but it was challenging, and about 8 1/2 minutes long. It is also gorgeous. There is a pretty strong ballet influence to her style though, so as someone who took ballet for one year during 4th grade I am always at a bit of a disadvantage when any instructor, live or on video, starts speaking in terms of ballet arm positions or mentions Relevé and Passé (I’m looking at you, Shimmy Mob), etc. But that wasn’t really too big a deal, since I had plenty of time to come to grips with it, and several teaching assistants to help out. As far as the choreography goes, I do wish we had done more with the Saidi, because it was quite a lot of fun, but we only worked on it Friday afternoon. Perhaps if I find an opportunity to do a Saidi workshop I will explore it more.

There were a couple of vendors at the workshop, including Dahlal International. This was pretty distracting because we would line up along one side of the room and move in twos diagonally across the floor when practicing technique. While waiting for our turns, most of us would be glancing back at the pretties and not paying as close attention as we probably should to what was going on. I am 100% guilty of this! Dahlal got a lot of my money that week.

We also had an acupressure and massage therapist available, as well as a henna artist. They were part of the cost of the workshop! I did not partake myself, but by all accounts they were super. Appointments were available during class time.

So the days were scheduled as such:

10am-12:30pm: warmup, conditioning, technique

12:30pm-1pm: lunch

1pm-2pm: lecture (music, makeup, etc; something different each day)

2pm-4:30pm: choreography

Monday evening we had dinner as a class at the Beirut restaurant, which was really good, and got to watch fellow students perform during dinner. I opted to perform, and I am glad I did. That was one more thing that was a bit intimidating, even though everyone is really supportive. Everyone is their own worst critic, I know, but I always feel extra self-conscious about performing for other belly dancers because they actually know what I’m doing. When I perform for the general public they typically don’t comprehend subtle technique and are just impressed by a pretty lady in a sparkly dress. Fellow belly dancers are usually studying each other. Not judging, mind you, just studying. Yeah, I was studying all of the other dancers who got up on stage. I think I learned a thing or two from them too.

Friday and Saturday evenings we were able to watch the pros do their stuff. It was probably worth the 4 hour trip just to be able to watch all of the other dancers! Friday was at Patrick’s Cabaret, which is in the same building as the Jawaahir studio. Saturday the studio was transformed into Cassandra’s Cabaret. Awesome!

So, what did I learn?

  1. I need to build up my calf strength, seriously
  2. I would like to add more subtle details to my own choreo in the future
  3. Warda is da bomb
  4. I can’t spin more than twice without falling over (actually knew that before but it was reinforced here)
  5. Some sweet new moves

What you should know before you go:

  1. You should probably be an advanced beginner or intermediate level student to get the full benefit of the workshop. Definitely have a good handle on your shimmies.
  2. Leave your ego at home. All of the TA’s were super nice, but even I felt a mild annoyance at being shown how to do snake arms. I’m thinking “I’ve been doing snake arms for 13 years, lady.” But I paid several hundred dollars for someone to teach me THEIR way of doing it, so I did it and thanked them for correcting me.
  3. You will meet a lot of really cool people and have the opportunity to talk shop. I had the opportunity to converse about everything from the dance scene in different parts of the country, to costume resources, to business strategy, etc.

Regarding accommodations: I drove in from Fargo. Jawaahir was able to get a loft downtown, about a 10 minute drive, or an easy hop on the light rail, from the studio. At $68/night it seemed to be a pretty sweet deal – this was a fully-furnished one bedroom apartment. When my husband and I visit the Twin Cities (about 3-4 times a year) we stay in the ‘burbs. We have never stayed downtown. I did not ask enough questions about the parking beforehand and ended up paying $65 for the week. It would have been more if there had been an event as the loft I was in was situated right between the Guthrie Theatre and the Metrodome. If I had NOT had a car this would have been an ideal situation. Also, they gave me a roommate (knocking it down to $34/night) but did not tell either of us that it was single accommodations. One bed and one (non-fold out) couch, and one key. Not good for an entire week. My roommate found someplace else to stay (with my blessing). I feel strongly that this is information that should have been shared before we agreed to the arrangement. So if you are given this opportunity ask how many beds and keys you will get. Also, if you stay downtown be sure to take a walk around the neighborhood the first day you are there, if possible. I was told there was no nearby grocery store. There was in fact a very nice one only 2 blocks away.

So in conclusion, I highly recommend the intensive or any one of the other dozens of workshops Cassandra does around the country/world. It was a really good experience and it made me want to push my limits more. It was the kick in the butt I needed!

Special Shimmy Session Starts Saturday

New Session Starts April 6

New Session Starts April 6

I love alliteration!

Yesterday we just finished up our winter session of class, and we’ll start up a new session right away this Saturday. However, it will be a super short session because CoreCon will be the first weekend of May, and Saroya of Atlanta‘s workshop, as well as Shimmy Mob, in Grand Forks is the second weekend in May, and I take summers off. But, I figured we could get a good workout in before we call it a season so our short session will not feature a full choreography as usual, but we will do all shimmies, all the time. Egyptian shimmy, twist shimmy, 3/4 shimmy, shoulder shimmy; while walking, changing our weight, on one foot or two. Remember to eat your Wheaties before class!

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